In this image, we’ve retained only the chord roots, giving you a clearer picture of their positions.Īnd here’s where the magic begins. Let’s see how the CAGED system comes into play. Here we have the CAGED chord shapes in full (root notes are indicated by the white dots), which should be familiar to you: These patterns can be linked to the CAGED system, and just like it, they also encourage you to explore the entirety of the fretboard. While it’s important to understand the pentatonic formulae, learning the pentatonic box patterns has its merits. It also gives you a deeper understanding of the scale as opposed to simply memorising patterns. Understanding these formulae is crucial as they allow you to quickly identify the notes that go into a pentatonic scale. The result is an A major scale without the D and G ♯. Simply omit the fourth and seventh notes from the major scale, like so: The major pentatonic scale, on the other hand, is more straightforward. You’ll also notice that we’ve flattened the third and seventh as the formula calls for ♭3 and ♭7. As you can see, we’ve taken only the first, third, fourth, fifth and seventh notes from the A major scale.
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